Above:
Freaks (1932)
Chris Alexander: Disturbing one-of-a-kind creeper that also effectively killed director Tod Browning's career.
Michael Gingold: Let's see someone try to remake this one today.
Bekah McKendry: One of the first cinematic examples of the antihero, and a concept that was way ahead of its time. Plus, the dinner scene reminds me of most Fango staff meetings!
Sam Zimmerman: Aside from the generally disturbing qualities this film has throughout, the sheer out-of-controlness of the end reveal makes my life better.
Authors: Jon Snyder